Music Monday | Nightswimming – R.E.M. & Losing My Religion (R.E.M. Cover) – Passenger

Twenty-odd years ago when I was still in my teens, I worked at an American Christian summer camp. In our last week, before we all disbanded to travel back to our respective colleges, jobs, and to resume real life, a group of us went skinny-dipping in a shallow cove just around the corner from the campfire bowl. It was the naughtiest thing I’d done, up until that point. We weren’t even allowed to wear two-piece bathing suits at the camp.

R.E.M.’s Nightswimming always reminds me of that evening; bare, barely visible bodies gliding through the water in the dark. Occasionally, a flash of skin, shining in the moonlight. Hushed whispers became squashed giggles and suppressed shrieks. We absolutely could not get caught. I wasn’t self-conscious in the dark, not like during the light of day.

Years later, I learned to play this piece on the piano. And sometimes, when I want to be transported back to the most carefree time of my life, I still do.

Songwriters: Bill Berry / Peter Buck / Michael Mills / Michael Stipe
Nightswimming lyrics © Warner Chappell Music, Inc, Universal Music Publishing Group

I worked at a few other Christian summer camps in the years following, in Canada. And while I believed I believed in God, there was always the struggle. The effort of maintaining a personal relationship. Of course, there were times that I thought God talked back. But you can believe anything, if you really want to.

While Michael Stipe of R.E.M. has frequently said he did not write Losing My Religion about religion (“losing my religion” is an old expression from the southern region of the USA meaning to lose one’s temper or civility, to be at the end of one’s rope experiencing feelings of frustration and desperation, or that moment that politeness gives way to anger), I still associate this song with the loss of my own religion. Church was an integral part of my teens and early twenties but my experiences since have shifted my perspective dramatically.

It didn’t happen quickly and it didn’t happen publicly. I hid it for a good few years. But as I’ve deconstructed and deconverted, I’ve also recognised the damage and trauma that it has caused.

And now I have things to say.

Songwriters: William Thomas Berry / Peter Lawrence Buck / Michael E. Mills / Michael Stipe
Losing My Religion lyrics © Universal Music Publishing Group

Good Bones by Maggie Smith

Life is short, though I keep this from my children.
Life is short, and I’ve shortened mine
in a thousand delicious, ill-advised ways,
a thousand deliciously ill-advised ways
I’ll keep from my children. The world is at least
fifty percent terrible, and that’s a conservative
estimate, though I keep this from my children.
For every bird there is a stone thrown at a bird.
For every loved child, a child broken, bagged,
sunk in a lake. Life is short and the world
is at least half terrible, and for every kind
stranger, there is one who would break you,
though I keep this from my children. I am trying
to sell them the world. Any decent realtor,
walking you through a real shithole, chirps on
about good bones: This place could be beautiful,
right? You could make this place beautiful.

Good Bones
by Maggie Smith

When my step-daughter turned 21 last year, I wrote this poem in her guest book as well as a personal note; the world is at least half terrible — I said in a part of it echoing Maggie’s line — which means it’s also half good. Your job is to make your world beautiful.

We are in the middle of an uprising right now and what we see are people who tired but are still trying to make our world beautiful. Black lives matter.

COVID-19 has increased our connection via the internet; zoom catch-ups and social media interactions. The death of George Floyd has tipped a breaking point and challenged the systems of white supremacy in a way not seen on a world wide scale before. More and more people are vocal; black lives matter.

There have been civil rights protests in the USA for years, taking different forms. But the urgent request from Black people to be treated as equal, as though their lives matter, has gone largely ignored by the white population who benefit from the systems that were set up by whites to favour whites.

In Australia, we have a similar issue. And if we don’t resolve it now, we will still be experiencing the same dysfunction and loss of Aboriginal lives from police brutality and inequality in healthcare in another 200 years. We need to pay attention to what has been brought to our attention over and over again. We need to listen, we need to understand and we need to act. We need a treaty. Black lives matter.

If you want to know more about what that means, please check out the following site.
https://www.aboriginalvictoria.vic.gov.au/treaty

Happy Birthday, Lover

It’s a weird time to be a human. The death of George Floyd, Black Lives Matter, the continued fight against racism. Then we get zombie fires. Murder hornets. And a virus that has gripped the world. People are arguing about the ferocity of it, the origins of it, the meaning of it. But while we argue, the virus continues its course, infecting whomever it comes into contact with.

Australia has had relatively restrictive lock-downs, many of which have eased in recent weeks but with the easing, we’ve seen a rise in infections, particularly in my home state of Victoria. Travel bans that have been in place for months were rolled back at the beginning of June. At the same time those restrictions eased, so too, did the number of people allowed to congregate in people’s homes. It’s this family gathering that has seen infections spike, soaring back into double digits within the state.

This seems low when compared with somewhere like the United States of America, or the United Kingdom, or Europe but when you consider that until a couple of weeks ago, national infections were in single digits, it’s a worrying rise. As a result, last Sunday night, the Victorian government reduced the number of people allowed to gather in a single home from twenty back to five.

Chronic health issues and an autoimmune condition mean I have a moderate – high level of risk of complications should I become infected. I’ve been living in a bubble since March and have no real interest in leaving it. But it’s G’s birthday today and I had insisted he not revoke the week of annual leave he’d booked in November last year. It’s not our normal overseas holiday but it’s a much-needed break from work.

So we’ll make the most of it while we can and I’ll go back into isolation on Sunday. It’s his birthday today but I’m the one celebrating because on this day my favourite person in the world was born. Happy Birthday, lover!

A Birthday
By Christina Rossetti
My heart is like a singing bird
                  Whose nest is in a water’d shoot;
My heart is like an apple-tree
                  Whose boughs are bent with thickset fruit;
My heart is like a rainbow shell
                  That paddles in a halcyon sea;
My heart is gladder than all these
                  Because my love is come to me.
Raise me a dais of silk and down;
                  Hang it with vair and purple dyes;
Carve it in doves and pomegranates,
                  And peacocks with a hundred eyes;
Work it in gold and silver grapes,
                  In leaves and silver fleurs-de-lys;
Because the birthday of my life
                  Is come, my love is come to me.

Music Monday | Girl – SYML

Sometimes our bodies will hurt for some time
And the beauty in that can be hard to find

Songwriter: Brian Fennell

In February of 2010, without any background in writing — other than a Year 10 Creative Writing elective which the teacher generally slept through — I hesitantly began to turn a blinking cursor on a blank page into keystrokes that created sentences.

I was writing to save my life; I was sick, I was sad, and I was trying to make meaning out of the madness I’d found myself in.

Margaret Atwood says a word after a word after a word is power. And as I continued to write, I began to figure out what it was that I thought and felt. I began to find my own power.

Over the last ten years, I’ve written personal stories publicly about my experiences with mental health, body image, eating disorders, obsessive compulsive disorder, meditation, mindfulness, yoga and relationships. I’ve also written privately. Even occasionally had work published, at times under a pseudonym due to the content.

But I’ve kept writing. And the beauty I have found through that process has healed me in unexpected ways.

A few weeks ago, I entered an essay titled Sexy Nails, about my struggle with OCD during the COVID-19 restrictions, into the Writers Victoria Grace Marion Wilson Emerging Writers competition for creative non-fiction. Last Friday, the winners were announced.

I wouldn’t even know how to go about judging personal stories and experiences and I’m glad it was not my job. But I’m also thrilled with the judge’s comments on my entry: Sexy Nails’ weaves past and present together seamlessly, telling both the writer’s story and her grandfather’s, and shines a light on a specific chapter of history that is not often explored. By grounding the work in the physicality of her fingernails, Agafonoff takes a risky writing bet that pays off, resulting in a piece that is haunting and visceral.

The piece will be published in the October/November edition of The Victorian Writer.

https://writersvictoria.org.au/writing-life/news/announcing-the-winners-the-2020-grace-marion-wilson-emerging-writers-competition

I will keep writing — about my life, my body, my mental health and anything else I am trying to figure out. And I will find the beauty in all of it.

air and light and time and space

”– you know, I’ve either had a family, a job,
something has always been in the
way
but now
I’ve sold my house, I’ve found this
place, a large studio, you should see the space and
the light.
for the first time in my life I’m going to have
a place and the time to
create.”

no baby, if you’re going to create
you’re going to create whether you work 16 hours a day in a coal mine
or
you’re going to create in a small room with 3 children
while you’re on
welfare,
you’re going to create with part of your mind and your
body blown
away,
you’re going to create blind
crippled
demented,
you’re going to create with a cat crawling up your
back while
the whole city trembles in earthquake, bombardment,
flood and fire.

baby, air and light and time and space
have nothing to do with it
and don’t create anything
except maybe a longer life to find
new excuses
for.

Charles Bukowski

There is always something. There is always something that will get in the way, even of air and light and time and space. If you allow it.

And you do.

You wait. Until after the house is vacuumed. The cat has move from your lap to his bed. The dishwasher is unpacked. The car is serviced. The work week is over. The children have grown. The cup of tea has gone cold. The fire has gone out.

You wait for the perfect time.

But you do not need air and light and time and space. Only yourself.

Drink from the well of yourself and begin again.
Charles Bukowski

Music Monday | White Rabbit – Jefferson Airplane

Someone I love(d) sent me a photo with a message the other day that said “remember this place? xx”

And I do. It’s my old apartment building. Nine years ago, I lived in the far middle apartment with a view of the beach. I miss this place. It was small but cozy. And it took me less than fifty paces to put my feet in the sand.

Back then, I’d sit on my balcony and smoke. And listen to Jefferson Airplane.

Warm White

He shivers, hunched in the underground walkway between Berlin Schönefeld Airport and the train station, holding up a sign, an A4 sheet of paper that has been folded and unfolded one too many times. A lower corner is making a bid for escape, only held in place by frayed paper threads. Large block letters scribbled on it in blue biro read: I’M LIKING A TICKET PLEASE.

“Home,” I hear him whisper in English as I pass, “please, I need to get home.”

Me too, I sigh, I’m liking a ticket, too.

At his feet, a shoebox contains a handful of scattered coins in different currencies. There’s not enough change in there for a meal much less a ticket. He babbles in a language I cannot make out. His words catch in the whine and whir of the nearby jet engines and run away on the wind.

The icy air weaves its way into my bones. I pull my hat down to my ears and squeeze my gloveless hands into little fists deep inside my pockets, the crook of my elbow hauling the wheelie suitcase along behind me. My boots scuff the concrete as I drag my feet towards the terminal. I don’t stop to ask where’s home. I have no money to help. But his words continue to haunt.

Home. I’m liking a ticket, please. I need to get home.

Home, I scoff at the idea, what is that anyway? I’m more than 10,000 miles away from where I live but that isn’t home either. Not by any metric you’d normally use to gauge these things. ‘Home is where the heart is’ according to the adage but my heart is a restless wanderer. An aching nomad. Rootless.

My best friend from high school lived in the same house from the time she was born until after she graduated from university. If a house was supposed to be home, I had none. By the age of ten, I’d lived at seven different addresses. Mum and Dad renovated houses, doing almost all the work themselves to earn some extra money and just when one started to feel familiar, they’d sell it and buy another cheap dump in need of repair. At two in the morning, I’d find myself squinting into a dark kitchen with bleary eyes wondering where the toilet had gone before my sleepy head would register that we’d moved again. I’d bump into walls where there used to be doors. Do a double-take when I saw windows that used to be walls. Even after I moved out on my own, I couldn’t stop. Twenty-eight houses and three countries in thirty-one years. Each relocation a reorientation.

The first question you’re often asked when travelling is “where’s home?” My reply is always the same. “I don’t really have a one.” But always present, a feeling of searching, seeking, wanting, needing. The Germans have a word for it, the inconsolable longing for something unidentifiable; sehnsucht, they call it, the desire for a far familiar land one identifies as home. I’d felt it, sehnsucht, staring at the stars on a clear night.  But my heart is an itinerant with no fixed address.

***

It is a warm sticky evening at the end of summer when the nights are beginning to cool. I am seven and a half years old, sitting on the back steps of the latest house my parents are renovating, with my dad and a pair of binoculars. We are looking for Halley’s Comet. In my memory, I see it clearly, a soft warm-white incandescent blob with a fuzzy tail alone in the black void of space. Without binoculars, it looks almost the same as all the other warm-white blinking blobs that surround it. Dad has borrowed the binoculars from a friend. We don’t have enough money to purchase our own. But he wants me to see it. “You’ll probably still be alive when it comes back,” he says, “I won’t.” I can’t imagine what seventy-five years means, to live ten times longer than I already have. I can’t imagine being an adult in my own home because every time I look at the warm-white glow from other people’s windows all I feel is sensucht.

***

The thin concrete path that runs from the laundry of the house to the clothes line is warm. The heat it’s absorbed during the day seeps into my skin as I lie on my back staring at the sky. More stars appear as I watch it fade from a deep midnight blue to black. It is almost summer and I’m in yet another house in another part of the country. They’re catching me; thirty-two houses, thirty-four years. And none of them home. I’m waiting for the warm-white of the shooting stars; every year in October, Earth passes through a stream of particles that Halley’s Comet dumped into our inner solar system on its last orbit to give us the Orionids meteor shower. Every time I look at the stars, I am reminded of my father. He instilled my love of the sky, incited my curiosity of the cosmos. And every time I look at the stars, I feel more at home than I do on this planet.

***

I am thirty-six when I move into my thirty-fifth house with G. A few years later, we stand together in a friend’s driveway in Angwin, California staring at the sky. We are at her family farm for her wedding. Howell Mountain rises in front of us, the oaks and conifers silhouetted against the deep blue. Silver pinpricks appear above the treeline.

“I don’t know which one is the North Star,” I say, scanning the skies, “do you know what it’s called?”

“Really?” he replies, squeezing me as he wraps his arms around me from behind.

I can’t see his face in the dark but I know his expression from the tone of his voice. His eyebrows will be raised wrinkling his forehead, a half-smile spreading across his lips, a small curl in the top one. I know all the lines on his face.

The night sky is different here. I recognise Mars, bright and orange-red but I pull out my phone, hoping for cell service and Google ‘What is the North star called?’

Polaris.

“We need to find Polaris,” I say.

“Yeah, sure,” he chuckles, “that makes it easier.”

As it turns out, we are staring right at it. “That one.” I point to a group of trees, “the one above the third tree from the left. On the end of the little dipper.”

He squeezes me again pulling me tighter, burying his face into my neck and for the first time while looking at the stars, instead of feeling sensucht, I feel safe.

Six months later, when the electrician replaces all the lights in our home prior to our wedding and asks what type of bulbs I want, I don’t need to think before answering warm white.

Perhaps home is not the length of time in one place as much as it is knowing all the lines on someone’s face.

The stars belong in the deep night sky, and the moon belongs there too, and the winds belong in each place they blow by, and I belong here with you.

M H Clark