“And it ought to make us feel ashamed when we talk like we know what we’re talking about when we talk about love.”
Curled on the couch of my airbnb eating olives, I strip the marinated flesh from the pits and spit them onto a plate. I’m in town for the Melbourne Writers Festival and arrived the previous afternoon but sitting here, having a snack, is the first time I notice the giant clock on the wall is broken. It isn’t that the time is wrong. Worse. The two hands are missing.
“The light was draining out of the room, going back through the window where it had come from.”
I am here, an impostor, having not written anything that’s offered traction for the past year. My brain has been broken.
“My heart is broken,” she goes. “It’s turned to a piece of stone. I’m no good. That’s what’s as bad as anything, that I’m no good anymore.”
In November last year, a colleague was killed in a workplace accident. While not on my shift, he’d been a mentor when I first finished my training. The task he was performing was routine. Something I did in the course of my duties. Had it been four hours later, it could have been me standing in front of the thing that exploded. After that, I spiraled quickly into the same dark place I’ve pulled myself out of so many times before. By December, there was a succession of bad news; coming from work, family, home. And I continued to sink.
“Things change,” he says. “I don’t know how they do. But they do without your realizing it or wanting them to.”
My first event at the 2019 festival was Lee Kofman and Fiona Wright’s talk session. Released several months ago, Kofman curated and edited an anthology of essays called Split to which both she and Wright contributed. Together, they discussed life, love, loss and the writing of their essays.
The theme for MWF 2019 is “When We Talk About Love” taken from Raymond Carver’s collection of short stories What We Talk About When We Talk About Love (from which all the above quotes are taken) and the session was called Museum of Broken Relationships: Split.
The talk was held in the No Vacancy gallery, amongst a borrowed collection from the Museum of Broken Relationships.
From the Museum website:
Museum of Broken Relationships is a physical and virtual public space created with the sole purpose of treasuring and sharing your heartbreak stories and symbolic possessions. It is a museum about you, about us, about the ways we love and lose.
At its core, the Museum is an ever-growing collection of items, each a memento of a relationship past, accompanied by a personal, yet anonymous story of its contributor. Unlike ‘destructive’ self-help instructions for recovery from grief and loss, the Museum offers the chance to overcome an emotional collapse through creativity – by contributing to its universal collection.
Museum of Broken Relationships is an original creative art project conceived by Olinka Vištica and Dražen Grubišić in 2006. It has since taken thousands of people on an empathetic journey around the world, challenging our ideas about heritage. Its original permanent location was founded in Zagreb. In 2010 it won the EMYA Kenneth Hudson Award as the most innovative and daring museum project in Europe.
Stories of lost relationships covered the gamut; romantic partners, parents, friends, children. But the grief was palpable, no matter which type of relationship.
This week, Music Monday isn’t a song. It’s an album. It’s no secret that I adore Lana Del Rey and, on repeat, as I work overtime shift after overtime shift, is Norman Fucking Rockwell.
Lana is the Queen of languid love songs. And of writing about broken relationships.
I’ve finished my olives and need to get to another session. The microwave in the kitchenette says 4:30 but that clock can’t tell me the time either. It’s twelve hours out; I noticed this morning as I ran out the door for breakfast at 20:43.
Perhaps, it’s time to make my own time. It’s time to rediscover my love. It’s time to write.
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