Music Monday | Tangled Up In Blue – The Whitlams (cover) of Bob Dylan

If it is so difficult to begin, imagine what it will be to end—
Louise Glück

I am reading Geoff Dyer’s book of endings; The Last Days of Roger Federer. I have tried and failed before to read another book by Dyer that came highly recommended: Out of Sheer Rage. Perhaps, after listening to (because that’s how I read almost all books these days) The Last Days of Roger Federer, I will be able to return to it. I was attracted to this current book by its title and my adoration for Roger (as Dyer notes, it’s always just Roger despite not knowing him, only Roger), and also due to the fact that I’d failed to read his previous book. Although, it’s not his only previous book. Only the one I’d previously attempted to read. This new book starts in a fashion I particularly enjoy; short “chapters”. Though most people would probably refer to them only as paragraphs. Other authors whose work I appreciate for the same reason; Yiyun Li in Dear Friend, from My Life I Write to You in Your Life, and Lewis Hyde in A Primer for Forgetting. These short chapters are put together to form a whole picture based on seemingly small, dissimilar or unrelated snippets. They are the style of book I someday hope to write.

Dyer moves from an opening chapter on The Doors, to a second chapter about Bob Dylan and references his song Tangled Up in Blue.

I had forgotten this song. And, when duly reminded, had only the briefest inkling that it was originally written by Dylan (Dylan, not Bob—never Bob, unlike Roger). Instead, I was most familiar with a cover version by The Whitlams. The Whitlams formed in Sydney in 1992 and released their third album, Eternal Nightcap, (which really felt like their first) when I was in my early years of university. They toured university campuses with high energy but I preferred to listen to them at home, alone, in my bedroom with favoured songs on repeat. It is this album that boasts the cover of Tangled Up in Blue. It was my least favourite song on the album and I frequently skipped over it, preferring Buy Now Pay Later (Charlie No. 2), and No Aphrodisiac. But the reference Geoff Dyer made to a lyric from Tangled Up in Blue “We’ll meet again someday, on the avenue” reminded me of a different song by The Whitlams. It was on a later album, Little Cloud. And I used to play it incessantly on the piano when I lived in Queensland. It was called Keep the Light On.

I do not cope well with endings. Even when I have instigated them.

It is impossible for me to turn off my care, compassion, and curiosity for people I’ve had a connection with—who are or have been friends—regardless of whether they’ve hurt me. Or, perhaps, especially if they’ve hurt me. (There are a couple of notable exceptions to this but I won’t be revealing who they are or my former relationship to them.) I don’t know if this is healthy. But I do know that I don’t know how to operate any other way. I always just want to know that they’re well.

Second Winter

Last night while walking the dog around the neighbourhood, the smell of wood smoke permeated the atmosphere. February is typically the hottest month of summer in Australia with temperatures between 80 and 100F. Instead, as a light rain fell and the temperature was 50F, people were lighting their wood heaters.

Today is supposed to be decompression day after my shifts and, also, my mother’s visit. But I do not have much of a reprieve, as I have already agreed to overtime tomorrow night and have a four-hour work safety meeting on Wednesday, before starting my shifts again on Thursday night. Which means Tuesday will be my only official day off, as Monday has now become a zombie day.

A few nights ago, unable to sleep, I was hunting for an old blog post; something I wrote a long time ago that has been on my mind the last few days. I couldn’t find it then but I did find a post about the dog I’m looking after. I’ve been friends with the dog’s owner for over eleven years and in the post, I wrote: he told me the dog cries when I leave. I’m not sure why this stood out to me but it did. I had forgotten he told me this but I have always had a connection with the dog.

Tonight, I found the post I was looking for. I wanted to find it because it referenced two very specific scenarios, which, in my current state of exploring what autism looks like in women, seemed relevant.

An excerpt from my blog, first published in July 2011 (on the same day Goyte released Somebody I Used To Know with Kimbra):

I’ve been thinking about it for a while. The disconnection I have between experience and emotion. Is it odd, do you know, to be diagnosed with bipolar, and to have depressive and hypomanic episodes but not really feel all that different no matter on which end of the spectrum I seem to fall at a particular point?

I’ve spent a long time closing things out. People, mostly. Or at least, a connection with people. A friend reminded me recently of a conversation we’d had on my balcony. She said that she was pouring her heart out about an old friend of hers who’d moved to South America and whom she’d been planning to visit later in the year. And this day, or perhaps the day before, he’d asked her not to come.

She relayed that she’d laid all this bare on the table in front of us, over a glass of wine and a cigarette and had told me how upset she was. And then she said, you said “Isn’t the pattern of the lights on the apartment building across the street interesting?”

She was angry at me. She was angry that I’d feigned interest, pretended to care…but had, it seemed, been bored by her conversation. I was surprised by this. I’d not been aware of it at the time, that she was upset, not just about her friend’s request, but by my response.

I apologised. I wasn’t bored, I said. Nor pretending to care. I simply didn’t know how to respond. I explained that I didn’t connect with the feeling that she’d been having. I wasn’t able to relate to it. I don’t have feelings like that.

This episode with my friend has only served to confirm my suspicions that I do not feel things the same way normal people do. I do not see things or read things the way that others do. I do not. I don’t even know if this is a problem. It’s never been for me, but it seems it is for others.

I’ve been working with my new therapist now for almost 6 months. Every now and then, I’ve gotten teary during an appointment. Her first question is always “What’s going on for you right now? What emotions are behind that?” and my reply is always the same. I don’t know, I say. I just feel confused.

Last session, she reminded me of an appointment I’d had a few weeks earlier. My friend had moved overseas. I was…crying. But I couldn’t explain why. The feeling(s) that should have accompanied that reaction were missing. Absent. She said that something strange had happened during that session. She said that when she’d questioned me about it, I’d looked at her directly and held her gaze. Most people, she said, would have looked away, but I stared directly at her and “locked on” as she put it. She could not read me at all.

We discussed my perceived inability to feel. I asked her if she thought that it was possible to lose the ability to feel, that is, if you did not use it – this emotional thing…does it die? …in a similar way to the way that a muscle, when not used, atrophies. Because, I said, I don’t know that it’s even possible for me to feel.

Do you want to? she asked.

No, I said, not really.

Would it be helpful to talk about feelings from an intellectual perspective, she said, instead of from an emotional perspective?

Yes, I said. Probably.

And so we’ve started. At my last session, we discussed the emotional response. How there is a triggering event, the internal things that happen within your body, physiological responses, neurochemical responses…and the visible external cues that people see.

Except that I don’t see them in you, she said. When I think you are upset, that is when you’re hardest to read.

Sure, I said. That makes perfect sense. Why would I let you see that you’d upset me? Or that I was angry? That all just gets locked in…if it’s even there in the first place.

But I have a question, I said. What causes the shaking?

Shaking? she said. What do you mean?

Well, whenever I have to talk about something I find uncomfortable, I shiver. It feels uncontrollable. It feels like it’s visible to everyone. Sometimes it is. Sometimes I shiver and shake so hard that my teeth chatter. But I just look like I need another blanket.

She’s going to look into it.

My homework now is to keep a diary. To record the situations I’m in when I notice the shaking. What has happened. Who am I talking to. What are we talking about. To see if we can identify a pattern.

I like patterns.

Particularly of lights on buildings.

Earlier this afternoon I sent the dog’s owner a message and told him I’d been exploring the possibility I have autism and have referred myself for an assessment. He said: Well, as someone who knows you, and someone who spent two years working closely with people with autism, there could be something in this.

Music Monday | White Rabbit – Jefferson Airplane

Someone I love(d) sent me a photo with a message the other day that said “remember this place? xx”

And I do. It’s my old apartment building. Nine years ago, I lived in the far middle apartment with a view of the beach. I miss this place. It was small but cozy. And it took me less than fifty paces to put my feet in the sand.

Back then, I’d sit on my balcony and smoke. And listen to Jefferson Airplane.

Nostalgia

And in the distance
As barren hills are touched by black-tipped fingers
The fading light reminisces about the days it lingered
Over pots of tea with toast
Whispering sweet nothings to its only ghost.
Then the moon rolls across the inky sky
With a gut full of ache and his upside down smile
And he stops to rest in the furthest corner
Heaves in gasps as the solitary mourner
Closes his eyes just for a minute and
Imagines the days when he was thinner.

January 2013

Music Monday | Hunger – Florence + The Machine

“At seventeen, I started to starve myself
I thought that love was a kind of emptiness
And at least I understood then the hunger I felt
And I didn’t have to call it loneliness”

Songwriters: Tobias Jesso / Thomas Wayland Bartlett / Emile Haynie / Florence Welch

I was fourteen. But felt the same. So for the next 20 years, I filled the loneliness with many things. Hunger, food, marriage, alcohol, sex.

One day, I filled the emptiness with myself, and found I’d been whole all along.

Music Monday | Smells Like Teen Spirit – Nirvana

In a darkened hall, the DJ on stage is pumping out tunes. Video clips play on a huge screen behind him. Coloured lights flash. Smoke hisses from the machine out across the dance floor and I bounce with my friends in a circle in the corner. You wouldn’t call what I’m doing dancing. I tug my ruffled denim skirt toward my knees. My purple shirt is knotted at my waist barely exposing my midriff but everyone is staring. She shouldn’t be wearing that.

Katie glides into the centre of the circle, arms swaying above her head, her gold sequined halter top creating our own mirror-ball. Years of dance training have given her rhythm and confidence both of which I lack. My feet remain glued in place to the floorboards and the only movement I can muster comes from bending my knees and bobbing jerkily. Sometimes I kick a foot up behind me. I have no idea what to do with my hands so they swing stiffly by my sides. Everyone else is doing the actions to Vogue. The Year 8 school dance is three hours of embarrassment. The only thing worse than looking awkward is not being seen there at all.

Dancing is of the devil, my church would say. As it would turn out, most fun things are “of the devil” but I’m less scared of going to hell and more scared of not fitting in. The DJ announces he’s about to play something new. The swarming, sweaty, teenage mass stops moving momentarily as he loads the next song. Then, there is a shift. No more melodic pop. Instead, a guitar-heavy grunge blares into the hall. The drum beat thumps through my chest cavity. I can’t understand what the hell they are singing but I know what they are feeling. Swinging my head and swaying in the dark to Nirvana is the closest I will come to rebellion at 13.

***

My dancing improved with practice, and the realisation that no-one is looking at me, judging me or criticising me more than myself.

A few weeks ago, a friend stripped back Smells Like Teen Spirit into a modern re-interpretation that gives us resignation instead of rebellion and defeat instead of defiance. My 13 year old self and my 39 year old self know each of these feelings equally.

***

Load up on guns, bring your friends
It’s fun to lose and to pretend
She’s over-bored and self-assured
Oh no, I know a dirty word

Hello, hello, hello, how low
Hello, hello, hello, how low
Hello, hello, hello

With the lights out, it’s less dangerous
Here we are now, entertain us
I feel stupid and contagious
Here we are now, entertain us

A mulatto, an albino, a mosquito, my libido
Yeah, hey

I’m worse at what I do best
And for this gift I feel blessed
Our little group has always been
And always will until the end

Hello, hello, hello, how low
Hello, hello, hello, how low
Hello, hello, hello, how low
Hello, hello, hello

With the lights out, it’s less dangerous
Here we are now, entertain us
I feel stupid and contagious
Here we are now, entertain us

A mulatto, an albino, a mosquito, my libido
Yeah, hey

And I forget just why I taste
Oh yeah, I guess it makes me smile
I found it hard, it’s hard to find
Oh well, whatever, never mind

Hello, hello, hello, how low
Hello, hello, hello, how low
Hello, hello, hello, how low
Hello, hello, hello

With the lights out, it’s less dangerous
Here we are now, entertain us
I feel stupid and contagious
Here we are now, entertain us

A mulatto, an albino, a mosquito, my libido

A denial, a denial, a denial, a denial, a denial
A denial, a denial, a denial, a denial